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2025
MOBILE AND STABLE  by Michel Ragon
Michel Ragon: Started life with minimal formal education but became one of France’s most influential art and architecture critics. Served as journalist and critic for reviews such as Arts, Neuf, Cimaise, Arts‑Loisirs, and Les Échos. He also curated exhibitions in São Paulo (1967) and Venice (1968), and wrote for the World Health Organization. Despite only having basic schooling, he taught at prestigious institutions including the École nationale supérieure des arts décoratifs in Paris, and became a visiting professor at the University of Montréal in 1970.




2025
LITERALLY BE: DAVID BOWIE  by John O’Connell
Before his passing, the man wrote down a list of a hundred book titles and their authors - the one hundred who changed his life. Thanks to the efforts of John O’Connel who, amongst others, famously documented this episode of the Bowie’s.  





2025
MARINA ABRAMOVIĆ’S DECISIONS
 Exclusive
“I don’t make a visual choice. It actually takes time to see the goodness in somebody. and if you’re in love - the love is simple, it’s actually just organic. A good cup of tea, breakfast & opening a window.”




2025
FORECAST: ALEX KORNER
Exclusive

Reclaiming the Groove: High-Energy 90s House and the Berlin Underground—Situating Alex Korner within Berlins cultural field of tension.






2025
SHABAH EL RIH
by Mar Castenado

A floating veil in the middle of Le Grand Théâtre des Mille et Une Nuits in Beirut (Libanon).


2025
REVIEW: OKLOU CHOKE ENOUGH
by Walden Green
Walden Greens commentary on Oklou’s pivotal performance on album length, would knight her one of the few criticly aclaimed neo pop artists. Sonically and lyrically educated by generational struggle and way to liberation “to know which direction to go and allow to not have just one”.

On her debut, the French electronic pop darling presents a twilit fusion of Y2K worship, Baroque polyphony, and elegant, opaque ambiance.





2025
KIKI
SMITH
by Alice van Danisch
"I think I chose the body as a subject, not consciously, but because it is the one form that we all share. It's something that everybody has their own authentic experience with."